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・ Double Trios
・ Double Trouble
・ Double Trouble (1915 film)
・ Double Trouble (1951 film)
・ Double Trouble (1967 film)
・ Double Trouble (1984 film)
・ Double Trouble (1992 film)
・ Double Trouble (2012 Taiwanese film)
・ Double Trouble (2012 Telugu film)
・ Double Trouble (Australian TV series)
・ Double Trouble (band)
・ Double Trouble (dance music producers)
・ Double Trouble (Elvis Presley album)
・ Double Trouble (FIRST)
・ Double Trouble (Frankie Miller album)
Double Trouble (George Jones and Johnny Paycheck album)
・ Double Trouble (Gillan album)
・ Double Trouble (Jacky Cheung song)
・ Double Trouble (Lynyrd Skynyrd song)
・ Double Trouble (manga)
・ Double Trouble (novel)
・ Double Trouble (Otis Rush song)
・ Double Trouble (P-Square album)
・ Double Trouble (The Cars song)
・ Double Trouble (U.S. TV series)
・ Double Trouble Live
・ Double Trouble State Park
・ Double truck
・ Double truth
・ Double turnstile


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Double Trouble (George Jones and Johnny Paycheck album) : ウィキペディア英語版
Double Trouble (George Jones and Johnny Paycheck album)


''Double Trouble'' is an album by American country music artists George Jones and Johnny Paycheck released in 1980 on the Epic Records label.
==Background==
''Double Trouble'' remains the oddest album George Jones ever recorded. The singer was enjoying the attention of hip rock & rollers, thanks to a glowing article in ''Rolling Stone'', and it appears that this album was an attempt on the part of Epic and producer Billy Sherrill to take advantage of the crossover potential. Enlisting Paycheck, who had played bass for Jones as part of the Jones Boys in the 1960s and had scored numerous hits throughout the 1970s, the album consists of mostly covers of 50s rock and roll but with Sherrill's heavy handed production and a chorus of female backing singers. The title was more than appropriate, considering that Paycheck and Jones in particular were at their raging, hell-raising worst. Critics panned the album but with the passing of time there is a bizarre fascination in hearing them so completely unhinged. As Stephen Thomas Erlewine of AllMusic observes, "The pair sound as if they were on one of their notorious drinking and drugging binges, making jokes with each other throughout every song (except the closing "You Better Move On") and singing without regard for key."


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